Licensing

The copyrights for all of Adam Tice's hymns are administered by GIA Publications.  Permission for non-commercial use (such as printing a hymn in a church bulletin) may be obtained through OneLicense.net. For commercial use, please contact GIA directly.
Adam frequently writes on commission. Rates are reasonable and negotiable. Please contact him directly for more information.

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Let Speeches Fall Silent--a hymn after the Orlando massacre

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Permission is granted for free use of this hymn during October, 2017. Here is a new text, along with two possible tunes. Click on the tune images for full-sized versions.  This hymn may be freely used through July 31, 2016. Let speeches fall silent and platitudes cease from hawkers of violence they brand as “peace.” Let people who suffer find places to speak, and holders of power give way to the weak. Let teachers of hatred, suspicion, and fear, and those who would kill for the views they hold dear, be turned from their ways and disarmed of their wrath to walk on a new, more compassionate path. Forgive us the times we neglected to act; forgive our excuses for courage we lacked. God, teach us the wisdom that leads us to grace: your image is found in our enemy’s face. Adam M. L. Tice, June 15, 2016 ©2016 GIA Publications, Inc.
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The Son of God Became a Refugee (additions)

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2017 update: Here's Tony Alonso's recording of his arrangement: https://www.facebook.com/antonioalonso/videos/10154988084220811/ I've been amazed and humbled by how quickly "A Weary Couple" has spread. A number of people have raised good questions about where the text ended. The conclusion was, admittedly, rather dark and difficult. Several folks suggested adding a stanza to provide some relief or hope. I have resisted that urge for several reasons. Most importantly, I did not want to diminish the validity of the suffering addressed in stanza two by offering too easy of a resolution immediately afterwards. My sense was that the questions should instead be answered by a bit of space, probably some silence, and further response in the form of another song or prayer. (Another reason to resist adding a third verse was mostly practical: LONDONDERRY AIR is really long, and could get tedious with that many repetitions!) A note from composer Clay Zambo provided me with...
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Contemplating Craft and Psalms

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I had a delightful time at the Calvin Symposium on Worship. It was an international, intercultural, and interdenominational feast. The music was exhilarating and sometimes challenging--and often a bit loud! I was privileged to be a resource for a songwriter's retreat along with Greg Scheer and Sandra McCracken. When I saw the stack of submissions from retreat participants, I knew that this would be a learning experience for me. All but a handful of the songs were written in a decidedly "contemporary" idiom. (I use quotation marks because everything, when it is written, is by definition "contemporary." I'm using the term here to describe what's often known as "Contemporary Christian Music," or CCM--typically guitar-driven songs, often with through-composed, non-strophic lyrics.) What would I, as a writer of hymn texts, contribute to the conversation? Greg and Sandra are far more knowledgeable about that world, and I loved hearing their wisdom...
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